One recording, a set of vertical clips
Cut on sentence boundaries with burned-in captions, reframed so the speaker stays in frame, and loudness matched across every clip so none sounds quieter than the next when they post in a row.
Selected work
Proof, not adjectives
Nine pieces below. Each one was produced here, on this hardware, and the numbers quoted are measured from the actual output.
Noisy recording cleaned to broadcast loudness
Measured on the delivered file: hiss energy down 11 dB, level variance between sentences cut from 8.1 to 5.9 dB, loudness range tightened from 9.6 to 8.5 LU, and the master lifted from −27.0 to −16.5 LUFS with a −1.5 dBTP ceiling so streaming platforms stop turning it down.
Person removed from a video, frame by frame
The subject taken out of a moving shot and the background rebuilt behind them, grain and motion matched so the repair doesn't announce itself. Audio left untouched.
Object added to a photo and lit into the scene
A new element placed, scaled, lit and shadowed into an existing shot, with a 2× crop of the changed area so you can judge the join rather than take my word for it.
One video, delivered in every format
Vertical 9:16 for Reels, TikTok and Shorts, square 1:1 and 4:5 for the feed, each safe-area checked and with hook text burned in at the top.
An ad written, voiced, captioned and finished
Built around one message rather than a feature list: script, voiceover, word-level burned-in captions so it works with the sound off, a music bed mixed to −16 LUFS, delivered in three ratios.
Product shots from a plain source photo
Cut out, relit and composited onto a studio background with a real shadow, text baked on where the packaging needs it, and the set delivered at a consistent size.
Brand-matched social set, built from a company's own design system
Read the target brand's typography, palette and tone off their live site, then built a carousel, a thumbnail, a Story cover and a stat card inside that system. Self-initiated concept work.
Short-form ads, written and cut here
Six vertical cuts, 49–59 s each at 1080×1920, every one built on the same structure, so producing the next is a re-cut rather than a rebuild. Captions burn in and highlight word by word, so the ad still lands with the sound off. Made to promote my own services, using the same pipeline I would run for a client.
Ten-minute documentaries, published on YouTube
Three history films — the transcontinental railroad, the Panama Canal and the Eiffel Tower — each built from a sourced research dossier, with contested figures spoken as ranges and the archival photographs credited on screen. These are examples — new films go up regularly.
Everything shown is produced in-house — demo and spec pieces built to demonstrate technique, not client commissions. Where a figure is quoted, it is measured from the delivered file. I don't show client work I can't verify, and I don't invent testimonials.